Demand's pictures are purely about formal relationships. The tightness of the compositions in terms of both line and color turns his photographs into what could by a 2D study of composition. Though the images are of spaces, he uses stopped down apertures to achieve a depth of field long enough to flatten the space into one plane. This particular image is comprised of parallelograms of varying sizes and colors. The larges elements are the orange and blew of the two tables, the turquoise of the floor and the gray of the two machines. Each of these shapes is balanced by the smaller shapes the break up the larger masses, the telephone, control box and plastic tubs. Every border is engaged while the space within is fully activated.